Belgian director/screenwriter Bert Scholiers jumps all over the place in his imaginative feature debut. One moment we are in an Antwerp pub, the next we are walking across an expanse of snow, then in a cosmic black hole or chasing a flying pineapple. This is how best friends Charlie and Hannah’s drink-fuelled night pans out after swallowing a magical sweet that changes the world surrealistically – also for everyone around them. The laconic twenty-somethings respond to these events with amused amazement (whether they wind up in a pre-war brothel or are blown to smithereens by an atom bomb), all the while sauntering along and discussing the really important stuff: dealing with exes and relationships. Like a tripping Woody Allen or Noah Baumbach, Scholiers plays with form, using inventive visual humour, colour and black-and-white, switching aspect ratios and referring to silent movies and Italian giallo horror.

比利时导演/编剧伯特·斯科利尔斯（Bert scholers）在其富有想象力的处女作中一跃而起。前一刻我们在安特卫普的一家酒吧，后一刻我们穿过一片大雪，然后在一个宇宙黑洞或追逐一个飞行的菠萝。这就是最好的朋友查理和汉娜在喝下一种神奇的甜食后如何度过的夜晚，这种甜食能超现实地改变世界——对他们周围的每个人来说也是如此。20多岁的拉科尼人对这些事件的反应是非常惊奇的（不管他们是在战前的妓院里，还是被原子弹炸成碎片），一直在闲逛，讨论真正重要的事情：处理前男友和关系。像一个绊倒伍迪艾伦或诺亚鲍姆巴赫，斯科尔斯发挥形式，使用创造性的视觉幽默，颜色和黑白，切换长宽比，并提到无声电影和意大利吉亚罗恐怖。

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